HyperScope
is a new project from Levox - squeezing fresh filmic juice from all
those discarded cinematic lemons. Expertly exploiting elaborate
optical techniques and sharp, encyclopedic musical juxtapositions, both
filmmakers and musician playfully corral
the whole gamut of dramatic cinema’s legacy; it’s
stereotypes, its sentimental pronouncements, its fatal
dénouements; reconstituted and reworked by hand, coloured,
cropped, re-shot and re-printed; soundtracks layered, slowed, sped up
and reformed.
Gaelle
Rouard and Etienne Caire extract HyperScope's imagery from what seems
like hundreds of different films - overlaid, combined and
contrasted in a rainbow of new meanings and impossible
scenarios, and with the unsettling feel of daylight shadows or midnight
bird-song. In a flow of colours and dramatic intrigue the
unknown
sits next to the known, and perhaps draws some strange new meaning from
it.
Meanwhile eriKm brings his patent-pending, made-in -France broken-punk
take on Musique Concrète, derived from an approach to
turntables
that seems just, you know: beyond. As with the filmmakers,
the
sound is culled and ripped from film soundtracks; reworked, and layered
into half-rhythms of inchoate screams and slammed car doors marking out
time. In the end, its this new soundtrack that grips the rudder while
light and chemical swirl about in an organic, polymorphing maelstrom.
All in all, a dizzying and intense experience, full of compressed
narratives and real drama.