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Awards
Real Institute wins Film Society ‘Oscar’ for second time
Real Institute wins 'Best Film Society' after only eighteen months in business. The BFFS (British Federation of Film Societies) awarded this national prize during a presentation ceremony at the National Film Theatre, London on Saturday 10 March 2002. Far from the traditional image of a film society, Real Institute claims to bring a breath of odd smelling air to the North Wales culture scene. Since its creation in September 2001, Real Institute has run regular 'alternative film nights' (complete with eccentric compere, live music and weird adverts), commissioned new films and organised special events including headlining the 2001 Llandudno Fringe Festival with a multi-media extravaganza 'Malice in Wonderland'. Real Institute is an entirely voluntary not-for-profit organisation aiming to bring great film and special events to North Wales together with opportunities for emerging filmmakers and artists. The 'Best Film Society' award recognises this work and its originality. Asked where the money came from for such ventures, Germaline Puddlesuck of the Real Institute collective said "We see fund-raising as a creative challenge and this has contributed to our success. Its unique initiatives and fun ideas like our 'Real Adverts' that really got us noticed. We don't accept money from Bill Gates, any world dictator or human-rights violator, people who throw stones at other people, Pop Idols, The Arts Council of Scotland, pirates and disposable razor manufacturers." Real Institute forged a number of 'no-strings' sponsorship agreements; a donation from local carpet firm 'Crown Carpets' helped with the purchase of a second-hand cinema screen, for example, and sponsorship in kind from film producers 'Ffilmiau'r Bont' gives access to professional editing facilities and local graphic design company 'View Design' provide Real Institute with free publicity printing. All screen advertising is produced through the 'Real Adverts' scheme. Businesses, organisations and individuals buy an 'advert' and Real Institute finds a filmmaker to make it. The catch is that total editorial control and creative freedom resides with the filmmaker. The buyer takes a big risk - the advert may not even mention his product! Bizarrely, this scheme has been a great success, and slots for adverts are overbooked. Since opening, Real Institute has screened over fifty features, short-films and special commissions from around the world including Bergman's medieval allegory 'The Seventh Seal' (selected by an audience vote using the Real Institute voting booths), Iranian director Samira Makhmalbaf's 1998 debut film 'The Apple', Jan Svankmajer's Czech animation 'Virile Games' and the world premiere of Dylan Williams and Marc Rome's 'Zambian Films' documentary. Despite the opening in 2001 of a brand new multiplex in nearby Llandudno Junction, Real Institute membership has continued to increase. Germaline Puddlesuck commented "We're proud we're not a multiplex - we do something very different. Everything here happens because someone cares about it. The music is put together specially for the night by someone really into music, the cakes are cooked at home, decorations make the place very atmospheric. The films are here because someone really wanted to see them not just because the marketing department of some Hollywood business needs to balance the books this month. We can offer the unexpected." Real Institute is
currently preparing its next special event 'Fringe Republic' when they
will declare a twenty-four hour independent free-state in the middle of
Llandudno. Germaline Puddlesuck acknowledged the importance of events
like these, "It is essential that there is freedom for new ideas.
Although the core activity is regular monthly film nights, special events
have greatly contributed to the breadth of activity and kept impetus and
energy levels high. After only a few months since the launch of Real Institute,
we had too many requests to participate in festivals and events to handle. What the Press
say: What the audience
says:
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